It was during another, though less extended, tour which Twichell and Clemens made that fall, that the latter got his idea for a Mississippi book. Howells had been pleading for something for the January "Atlantic," of which he was now chief editor, but thus far Mark Twain's inspiration had failed. He wrote at last, "My head won't go," but later, the same day, he sent another hasty line.
"I take back the remark that I can't write for the January number, for Twichell and I have had a long walk in the woods, and I got to telling him about old Mississippi days of steam-boating glory and grandeur as I saw them (during four years) from the pilot-house. He said, 'What a virgin subject to hurl into a magazine!' I hadn't thought of that before. Would you like a series of papers to run through three months, or six, or nine--or about four months, say?"
Howells wrote at once, welcoming the idea. Clemens forthwith sent the first instalment of that marvelous series of river chapters which rank to-day among the very best of his work. As pictures of the vanished Mississippi life they are so real, so convincing, so full of charm that they can never grow old. As long as any one reads of the Mississippi they will look up those chapters of Mark Twain's piloting days. When the first number appeared, John Hay wrote:
"It is perfect; no more, no less. I don't see how you do it."
The "Old Times" chapter ran through seven numbers of the "Atlantic," and show Mark Twain at his very best. They form now most of the early chapters of "Life on the Mississippi." The remainder of that book was added about seven years later.
Those were busy literary days for Mark Twain. Writing the river chapters carried him back, and hardly had he finished them when he took up the neglected story of "Tom and Huck," and finished that under full steam. He at first thought of publishing it in the "Atlantic", but decided against this plan. He sent Howells the manuscript to read, and received the fullest praise. Howells wrote:
"It is altogether the best boy's story I ever read. It will be an immense success."
Clemens, however, delayed publication. He had another volume in press--a collection of his sketches--among them the "Jumping Frog," and others of his California days. The "Jumping Frog" had been translated into French, and in this book Mark Twain published the French version and then a literal retranslation of his own, which is one of the most amusing features in the volume. As an example, the stranger's remark, "I don't see no p'ints about that frog that's any better than any other frog," in the literal retranslation becomes, "I no saw not that that frog had nothing of better than each frog," and Mark Twain parenthetically adds, "If that isn't grammar gone to seed, then I count myself no judge."
"Sketches New and Old" went very well, but the book had no such sale as "The Adventures of Tom Sawyer," which appeared a year later, December, 1876. From the date of its issue it took its place as foremost of American stories of boy life, a place that to this day it shares only with "Huck Finn." Mark Twain's own boy life in the little drowsy town of Hannibal, with John Briggs and Tom Blankenship--their adventures in and about the cave and river--made perfect material. The story is full of pure delight. The camp on the island is a picture of boy heaven. No boy that reads it but longs for the woods and a camp-fire and some bacon strips in the frying-pan. It is all so thrillingly told and so vivid. We know certainly that it must all have happened. "The Adventures of Tom Sawyer" has taken a place side by side with "Treasure Island."
XXXVIII.
HOME PICTURES
Mark Twain was now regarded by many as the foremost American author. Certainly he was the most widely known. As a national feature he rivaled Niagara Falls. No civilized spot on earth that his name had not reached. Letters merely addressed "Mark Twain" found their way to him.