Get well soon. Everybody is good to me, but I am so lonesome without you, dear mamma."
"The poor child, I know just how she feels. She cannot be quite happy without me; and I--oh, I live in the light of her eyes! Tell her she must practice all she pleases; and, Aunt Hannah-- tell her I can't hear the piano this far, nor hear dear voice when she sings: God knows I wish I could. No one knows how sweet that voice is to me; and to think--some day it will be silent! What are you crying for?
"Only because--because--it was just a memory. When I came away she was singing, 'Loch Lomond.' The pathos of it! It always moves me so when she sings that."
"And me, too. How heartbreakingly beautiful it is when some youthful sorrow is brooding in her breast and she sings it for the mystic healing it brings. . . . Aunt Hannah?"
"I am very ill. Sometimes it comes over me that I shall never hear that dear voice again."
"Oh, don't--don't, Margaret! I can't bear it!"
Margaret was moved and distressed, and said, gently:
"There--there--let me put my arms around you. Don't cry. There--put your cheek to mine. Be comforted. I wish to live. I will live if I can. Ah, what could she do without me! . . . Does she often speak of me?--but I know she does."
"Oh, all the time--all the time!"
"My sweet child! She wrote the note the moment she came home?"
"Yes--the first moment. She would not wait to take off her things."
"I knew it. It is her dear, impulsive, affectionate way. I knew it without asking, but I wanted to hear you say it. The petted wife knows she is loved, but she makes her husband tell her so every day, just for the joy of hearing it. . . . She used the pen this time. That is better; the pencil-marks could rub out, and I should grieve for that. Did you suggest that she use the pen?"
"Y--no--she--it was her own idea.
The mother looked her pleasure, and said:
"I was hoping you would say that. There was never such a dear and thoughtful child! . . . Aunt Hannah?"
"Go and tell her I think of her all the time, and worship her. Why--you are crying again. Don't be so worried about me, dear; I think there is nothing to fear, yet."
The grieving messenger carried her message, and piously delivered it to unheeding ears. The girl babbled on unaware; looking up at her with wondering and startled eyes flaming with fever, eyes in which was no light of recognition:
"Are you--no, you are not my mother. I want her--oh, I want her! She was here a minute ago--I did not see her go. Will she come? will she come quickly? will she come now? . . . There are so many houses . . . and they oppress me so . . . and everything whirls and turns and whirls . . . oh, my head, my head!"--and so she wandered on and on, in her pain, flitting from one torturing fancy to another, and tossing her arms about in a weary and ceaseless persecution of unrest.
Poor old Hannah wetted the parched lips and softly stroked the hot brow, murmuring endearing and pitying words, and thanking the Father of all that the mother was happy and did not know.
Daily the child sank lower and steadily lower towards the grave, and daily the sorrowing old watchers carried gilded tidings of her radiant health and loveliness to the happy mother, whose pilgrimage was also now nearing its end. And daily they forged loving and cheery notes in the child's hand, and stood by with remorseful consciences and bleeding hearts, and wept to see the grateful mother devour them and adore them and treasure them away as things beyond price, because of their sweet source, and sacred because her child's hand had touched them.
At last came that kindly friend who brings healing and peace to all. The lights were burning low. In the solemn hush which precedes the dawn vague figures flitted soundless along the dim hall and gathered silent and awed in Helen's chamber, and grouped themselves about her bed, for a warning had gone forth, and they knew.