This is to cause you to break that glass thing, groping in the dark, and get yourself into trouble.
They are for ever and ever moving the furniture. When you come in in the night you can calculate on finding the bureau where the wardrobe was in the morning. And when you go out in the morning, if you leave the slop- bucket by the door and rocking-chair by the window, when you come in at midnight or thereabout, you will fall over that rocking-chair, and you will proceed toward the window and sit down in that slop-tub. This will disgust you. They like that.
No matter where you put anything, they are not going to let it stay there. They will take it and move it the first chance they get. It is their nature. And, besides, it gives them pleasure to be mean and contrary this way. They would die if they couldn't be villains.
They always save up all the old scraps of printed rubbish you throw on the floor, and stack them up carefully on the table, and start the fire with your valuable manuscripts. If there is any one particular old scrap that you are more down on than any other, and which you are gradually wearing your life out trying to get rid of, you may take all the pains you possibly can in that direction, but it won't be of any use, because they will always fetch that old scrap back and put it in the same old place again every time. It does them good.
And they use up more hair-oil than any six men. If charged with purloining the same, they lie about it. What do they care about a hereafter? Absolutely nothing.
If you leave the key in the door for convenience' sake, they will carry it down to the office and give it to the clerk. They do this under the vile pretense of trying to protect your property from thieves; but actually they do it because they want to make you tramp back down-stairs after it when you come home tired, or put you to the trouble of sending a waiter for it, which waiter will expect you to pay him something. In which case I suppose the degraded creatures divide.
They keep always trying to make your bed before you get up, thus destroying your rest and inflicting agony upon you; but after you get up, they don't come any more till next day.
They do all the mean things they can think of, and they do them just out of pure cussedness, and nothing else.
Chambermaids are dead to every human instinct.
If I can get a bill through the legislature abolishing chambermaids, I mean to do it.
AURELIA'S UNFORTUNATE YOUNG MAN--[Written about 1865.]
The facts in the following case came to me by letter from a young lady who lives in the beautiful city of San Jose; she is perfectly unknown to me, and simply signs herself "Aurelia Maria," which may possibly be a fictitious name. But no matter, the poor girl is almost heartbroken by the misfortunes she has undergone, and so confused by the conflicting counsels of misguided friends and insidious enemies that she does not know what course to pursue in order to extricate herself from the web of difficulties in which she seems almost hopelessly involved. In this dilemma she turns to me for help, and supplicates for my guidance and instruction with a moving eloquence that would touch the heart of a statue. Hear her sad story:
She says that when she was sixteen years old she met and loved, with all the devotion of a passionate nature, a young man from New Jersey, named Williamson Breckinridge Caruthers, who was some six years her senior. They were engaged, with the free consent of their friends and relatives, and for a time it seemed as if their career was destined to, be characterized by an immunity from sorrow beyond the usual lot of humanity. But at last the tide of fortune turned; young Caruthers became infect with smallpox of the most virulent type, and when he recovered from his illness his face was pitted like a waffle-mold, and his comeliness gone forever. Aurelia thought to break off the engagement at first, but pity for her unfortunate lover caused her to postpone the marriage-day for a season, and give him another trial.