As a woman the Queen was all that the most exacting standards could require. As a far-reaching and effective beneficent moral force she had no peer in her time among either, monarchs or commoners. As a monarch she was without reproach in her great office. We may not venture, perhaps, to say so sweeping a thing as this in cold blood about any monarch that preceded her upon either her own throne or upon any other. It is a colossal eulogy, but it is justified.
In those qualities of the heart which beget affection in all sorts and conditions of men she was rich, surprisingly rich, and for this she will still be remembered and revered in the far-off ages when the political glories of her reign shall have faded from vital history and fallen to a place in that scrap-heap of unverifiable odds and ends which we call tradition. Which is to say, in briefer phrase, that her name will live always. And with it her character--a fame rare in the history of thrones, dominions, principalities, and powers, since it will not rest upon harvested selfish and sordid ambitions, but upon love, earned and freely vouchsafed. She mended broken hearts where she could, but she broke none.
What she did for us in America in our time of storm and stress we shall not forget, and whenever we call it to mind we shall always remember the wise and righteous mind that guided her in it and sustained and supported her--Prince Albert's. We need not talk any idle talk here to-night about either possible or impossible war between the two countries; there will be no war while we remain sane and the son of Victoria and Albert sits upon the throne. In conclusion, I believe I may justly claim to utter the voice of my country in saying that we hold him in deep honor, and also in cordially wishing him a long life and a happy reign.
JOAN OF ARC
ADDRESS AT THE DINNER OF THE SOCIETY OF ILLUSTRATORS, GIVEN AT THE ALDINE ASSOCIATION CLUB, DECEMBER 22, 1905
Just before Mr. Clemens made his speech, a young woman attired as Joan of Arc, with a page bearing her flag of battle, courtesied reverently and tendered Mr. Clemens a laurel wreath on a satin pillow. He tried to speak, but his voice failed from excess of emotion. "I thank you!" he finally exclaimed, and, pulling him self together, he began his speech.
Now there is an illustration [pointing to the retreating Joan of Arc]. That is exactly what I wanted--precisely what I wanted--when I was describing to myself Joan of Arc, after studying her history and her character for twelve years diligently.
That was the product--not the conventional Joan of Arc. Wherever you find the conventional Joan of Arc in history she is an offence to anybody who knows the story of that wonderful girl.
Why, she was--she was almost supreme in several details. She had a marvellous intellect; she had a great heart, had a noble spirit, was absolutely pure in her character, her feeling, her language, her words, her everything--she was only eighteen years old.
Now put that heart into such a breast--eighteen years old--and give it that masterly intellect which showed in the face, and furnish it with that almost god-like spirit, and what are you going to have? The conventional Joan of Arc? Not by any means. That is impossible. I cannot comprehend any such thing as that.
You must have a creature like that young and fair and beautiful girl we just saw. And her spirit must look out of the eyes. The figure should be--the figure should be in harmony with all that, but, oh, what we get in the conventional picture, and it is always the conventional picture!
I hope you will allow me to say that your guild, when you take the conventional, you have got it at second-hand. Certainly, if you had studied and studied, then you might have something else as a result, but when you have the common convention you stick to that.
You cannot prevail upon the artist to do it; he always gives you a Joan of Arc--that lovely creature that started a great career at thirteen, but whose greatness arrived when she was eighteen; and merely, because she was a girl he can not see the divinity in her, and so he paints a peasant, a coarse and lubberly figure--the figure of a cotton-bale, and he clothes that in the coarsest raiment of the peasant region just like a fish woman, her hair cropped short like a Russian peasant, and that face of hers, which should be beautiful and which should radiate all the glories which are in the spirit and in her heart that expression in that face is always just the fixed expression of a ham.