It missed that distinction by a few months, though its honor was sufficient in having sheltered his early childhood.--[This house is no longer standing. When it was torn down several years ago, portions of it were carried off and manufactured into souvenirs. Mark Twain himself disclaimed it as his birthplace, and once wrote on a photograph of it: "No, it is too stylish, it is not my birthplace."]
IV
BEGINNING A LONG JOURNEY
It was not a robust childhood. The new baby managed to go through the winter--a matter of comment among the family and neighbors. Added strength came, but slowly; "Little Sam," as they called him, was always delicate during those early years.
It was a curious childhood, full of weird, fantastic impressions and contradictory influences, stimulating alike to the imagination and that embryo philosophy of life which begins almost with infancy. John Clemens seldom devoted any time to the company of his children. He looked after their comfort and mental development as well as he could, and gave advice on occasion. He bought a book now and then--sometimes a picture-book-- and subscribed for Peter Parley's Magazine, a marvel of delight to the older children, but he did not join in their amusements, and he rarely, or never, laughed. Mark Twain did not remember ever having seen or heard his father laugh. The problem of supplying food was a somber one to John Clemens; also, he was working on a perpetual-motion machine at this period, which absorbed his spare time, and, to the inventor at least, was not a mirthful occupation. Jane Clemens was busy, too. Her sense of humor did not die, but with added cares and years her temper as well as her features became sharper, and it was just as well to be fairly out of range when she was busy with her employments.
Little Sam's companions were his brothers and sisters, all older than himself: Orion, ten years his senior, followed by Pamela and Margaret at intervals of two and three years, then by Benjamin, a kindly little lad whose gentle life was chiefly devoted to looking after the baby brother, three years his junior. But in addition to these associations, there were the still more potent influences Of that day and section, the intimate, enveloping institution of slavery, the daily companionship of the slaves. All the children of that time were fond of the negroes and confided in them. They would, in fact, have been lost without such protection and company.
It was Jennie, the house-girl, and Uncle Ned, a man of all work-- apparently acquired with the improved prospects--who were in real charge of the children and supplied them with entertainment. Wonderful entertainment it was. That was a time of visions and dreams, small. gossip and superstitions. Old tales were repeated over and over, with adornments and improvements suggested by immediate events. At evening the Clemens children, big and little, gathered about the great open fireplace while Jennie and Uncle Ned told tales and hair-lifting legends. Even a baby of two or three years could follow the drift of this primitive telling and would shiver and cling close with the horror and delight of its curdling thrill. The tales always began with "Once 'pon a time," and one of them was the story of the "Golden Arm" which the smallest listener would one day repeat more elaborately to wider audiences in many lands. Briefly it ran as follows:
"Once 'Pon a time there was a man, and he had a wife, and she had a' arm of pure gold; and she died, and they buried her in the graveyard; and one night her husband went and dug her up and cut off her golden arm and tuck it home; and one night a ghost all in white come to him; and she was his wife; and she says:
"W-h-a-r-r's my golden arm? W-h-a-r-r's my golden arm? W-h-a-r-r's my g-o-l-den arm?"
As Uncle Ned repeated these blood-curdling questions he would look first one and then another of his listeners in the eyes, with his bands drawn up in front of his breast, his fingers turned out and crooked like claws, while he bent with each question closer to the shrinking forms before him.