The priests showed us two of St. Paul's fingers, and one of St. Peter's; a bone of Judas Iscariot, (it was black,) and also bones of all the other disciples; a handkerchief in which the Saviour had left the impression of his face. Among the most precious of the relics were a stone from the Holy Sepulchre, part of the crown of thorns, (they have a whole one at Notre Dame,) a fragment of the purple robe worn by the Saviour, a nail from the Cross, and a picture of the Virgin and Child painted by the veritable hand of St. Luke. This is the second of St. Luke's Virgins we have seen. Once a year all these holy relics are carried in procession through the streets of Milan.
I like to revel in the dryest details of the great cathedral. The building is five hundred feet long by one hundred and eighty wide, and the principal steeple is in the neighborhood of four hundred feet high. It has 7,148 marble statues, and will have upwards of three thousand more when it is finished. In addition it has one thousand five hundred bas- reliefs. It has one hundred and thirty-six spires--twenty-one more are to be added. Each spire is surmounted by a statue six and a half feet high. Every thing about the church is marble, and all from the same quarry; it was bequeathed to the Archbishopric for this purpose centuries ago. So nothing but the mere workmanship costs; still that is expensive --the bill foots up six hundred and eighty-four millions of francs thus far (considerably over a hundred millions of dollars,) and it is estimated that it will take a hundred and twenty years yet to finish the cathedral. It looks complete, but is far from being so. We saw a new statue put in its niche yesterday, alongside of one which had been standing these four hundred years, they said. There are four staircases leading up to the main steeple, each of which cost a hundred thousand dollars, with the four hundred and eight statues which adorn them. Marco Compioni was the architect who designed the wonderful structure more than five hundred years ago, and it took him forty-six years to work out the plan and get it ready to hand over to the builders. He is dead now. The building was begun a little less than five hundred years ago, and the third generation hence will not see it completed.
The building looks best by moonlight, because the older portions of it, being stained with age, contrast unpleasantly with the newer and whiter portions. It seems somewhat too broad for its height, but may be familiarity with it might dissipate this impression.
They say that the Cathedral of Milan is second only to St. Peter's at Rome. I cannot understand how it can be second to anything made by human hands.
We bid it good-bye, now--possibly for all time. How surely, in some future day, when the memory of it shall have lost its vividness, shall we half believe we have seen it in a wonderful dream, but never with waking eyes!