Now," he said, "I hope you take this as a compliment. Yes, you are a very good imitation; but when I come to look closer, you are probably not that man."

I said: "I will be frank with you. In my desire to look like that excellent character I have dressed for the character; I have been playing a part."

He said: "That is all right, that is all right; you look very well on the outside, but when it comes to the inside you are not in it with the original"

So when I come to a place like this with nothing valuable to say I always play a part. But I will say before I sit down that when it comes to saying anything here I will express myself in this way: I am heartily in sympathy with you in your efforts to help those who were sufferers in this calamity, and in your desire to heap those who were rendered homeless, and in saying this I wish to impress on you the fact that I am not playing a part.

SAN FRANCISCO EARTHQUAKE

After the address at the Robert Fulton Fund meeting, June 19, 1906, Mr. Clemens talked to the assembled reporters about the San Francisco earthquake.

I haven't been there since 1868, and that great city of San Francisco has grown up since my day. When I was there she had one hundred and eighteen thousand people, and of this number eighteen thousand were Chinese. I was a reporter on the Virginia City Enterprise in Nevada in 1862, and stayed there, I think, about two years, when I went to San Francisco and got a job as a reporter on The Call. I was there three or four years.

I remember one day I was walking down Third Street in San Francisco. It was a sleepy, dull Sunday afternoon, and no one was stirring. Suddenly as I looked up the street about three hundred yards the whole side of a house fell out. The street was full of bricks and mortar. At the same time I was knocked against the side of a house, and stood there stunned for a moment.

I thought it was an earthquake. Nobody else had heard anything about it and no one said earthquake to me afterward, but I saw it and I wrote it. Nobody else wrote it, and the house I saw go into the street was the only house in the city that felt it. I've always wondered if it wasn't a little performance gotten up for my especial entertainment by the nether regions.

CHARITY AND ACTORS

ADDRESS AT THE ACTORS' FUND FAIR IN THE METROPOLITAN OPERA HOUSE, NEW YORK, MAY 6, 1907

Mr. Clemens, in his white suit, formally declared the fair open. Mr. Daniel Frohman, in introducing Mr. Clemens, said:

"We intend to make this a banner week in the history of the Fund, which takes an interest in every one on the stage, be he actor, singer, dancer, or workman. We have spent more than $40,000 during the past year. Charity covers a multitude of sins, but it also reveals a multitude of virtues. At the opening of the former fair we had the assistance of Edwin Booth and Joseph Jefferson. In their place we have to-day that American institution and apostle of wide humanity--Mark Twain."

As Mr. Frohman has said, charity reveals a multitude of virtues. This is true, and it is to be proved here before the week is over. Mr. Frohman has told you something of the object and something of the character of the work. He told me he would do this--and he has kept his word! I had expected to hear of it through the newspapers. I wouldn't trust anything between Frohman and the newspapers--except when it's a case of charity!

You should all remember that the actor has been your benefactor many and many a year. When you have been weary and downcast he has lifted your heart out of gloom and given you a fresh impulse. You are all under obligation to him. This is your opportunity to be his benefactor--to help provide for him in his old age and when he suffers from infirmities.

At this fair no one is to be persecuted to buy. If you offer a twenty- dollar bill in payment for a purchase of $1 you will receive $19 in change.

Mark Twain
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