Soon my letters yielded fruit. My uncle began to look about for something to make a collection of. You may know, perhaps, how fleetly a taste like this dilates. His soon became a raging fever, though I knew it not. He began to neglect his great pork business; presently he wholly retired and turned an elegant leisure into a rabid search for curious things. His wealth was vast, and he spared it not. First he tried cow-bells. He made a collection which filled five large salons, and comprehended all the different sorts of cow-bells that ever had been contrived, save one. That one--an antique, and the only specimen extant--was possessed by another collector. My uncle offered enormous sums for it, but the gentleman would not sell. Doubtless you know what necessarily resulted. A true collector attaches no value to a collection that is not complete. His great heart breaks, he sells his hoard, he turns his mind to some field that seems unoccupied.

Thus did my uncle. He next tried brickbats. After piling up a vast and intensely interesting collection, the former difficulty supervened; his great heart broke again; he sold out his soul's idol to the retired brewer who possessed the missing brick. Then he tried flint hatchets and other implements of Primeval Man, but by and by discovered that the factory where they were made was supplying other collectors as well as himself. He tried Aztec inscriptions and stuffed whales--another failure, after incredible labor and expense. When his collection seemed at last perfect, a stuffed whale arrived from Greenland and an Aztec inscription from the Cundurango regions of Central America that made all former specimens insignificant. My uncle hastened to secure these noble gems. He got the stuffed whale, but another collector got the inscription. A real Cundurango, as possibly you know, is a possession of such supreme value that, when once a collector gets it, he will rather part with his family than with it. So my uncle sold out, and saw his darlings go forth, never more to return; and his coal-black hair turned white as snow in a single night.

Now he waited, and thought. He knew another disappointment might kill him. He was resolved that he would choose things next time that no other man was collecting. He carefully made up his mind, and once more entered the field-this time to make a collection of echoes.

"Of what?" said I.

Echoes, sir. His first purchase was an echo in Georgia that repeated four times; his next was a six-repeater in Maryland; his next was a thirteen-repeater in Maine; his next was a nine-repeater in Kansas; his next was a twelve-repeater in Tennessee, which he got cheap, so to speak, because it was out of repair, a portion of the crag which reflected it having tumbled down. He believed he could repair it at a cost of a few thousand dollars, and, by increasing the elevation with masonry, treble the repeating capacity; but the architect who undertook the job had never built an echo before, and so he utterly spoiled this one. Before he meddled with it, it used to talk back like a mother-in-law, but now it was only fit for the deaf-and-dumb asylum. Well, next he bought a lot of cheap little double-barreled echoes, scattered around over various states and territories; he got them at twenty per cent. off by taking the lot. Next he bought a perfect Gatling-gun of an echo in Oregon, and it cost a fortune, I can tell you. You may know, sir, that in the echo market the scale of prices is cumulative, like the carat-scale in diamonds; in fact, the same phraseology is used. A single-carat echo is worth but ten dollars over and above the value of the land it is on; a two-carat or double-barreled echo is worth thirty dollars; a five-carat is worth nine hundred and fifty; a ten-carat is worth thirteen thousand. My uncle's Oregon-echo, which he called the Great Pitt Echo, was a twenty-two carat gem, and cost two hundred and sixteen thousand dollars--they threw the land in, for it was four hundred miles from a settlement.

Alonzo Fitz and Other Stories Page 27

Mark Twain

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