I found a chair; then a wall; then another chair; then a sofa; then an alpenstock, then another sofa; this confounded me, for I had thought there was only one sofa. I hunted up the table again and took a fresh start; found some more chairs.

It occurred to me, now, as it ought to have done before, that as the table was round, it was therefore of no value as a base to aim from; so I moved off once more, and at random among the wilderness of chairs and sofas-- wandering off into unfamiliar regions, and presently knocked a candlestick and knocked off a lamp, grabbed at the lamp and knocked off a water pitcher with a rattling crash, and thought to myself, "I've found you at last--I judged I was close upon you." Harris shouted "murder," and "thieves," and finished with "I'm absolutely drowned."

The crash had roused the house. Mr. X pranced in, in his long night-garment, with a candle, young Z after him with another candle; a procession swept in at another door, with candles and lanterns--landlord and two German guests in their nightgowns and a chambermaid in hers.

I looked around; I was at Harris's bed, a Sabbath-day's journey from my own. There was only one sofa; it was against the wall; there was only one chair where a body could get at it--I had been revolving around it like a planet, and colliding with it like a comet half the night.

I explained how I had been employing myself, and why. Then the landlord's party left, and the rest of us set about our preparations for breakfast, for the dawn was ready to break. I glanced furtively at my pedometer, and found I had made 47 miles. But I did not care, for I had come out for a pedestrian tour anyway.

CHAPTER XIV [Rafting Down the Neckar]

When the landlord learned that I and my agents were artists, our party rose perceptibly in his esteem; we rose still higher when he learned that we were making a pedestrian tour of Europe.

He told us all about the Heidelberg road, and which were the best places to avoid and which the best ones to tarry at; he charged me less than cost for the things I broke in the night; he put up a fine luncheon for us and added to it a quantity of great light-green plums, the pleasantest fruit in Germany; he was so anxious to do us honor that he would not allow us to walk out of Heilbronn, but called up Goetz von Berlichingen's horse and cab and made us ride.

I made a sketch of the turnout. It is not a Work, it is only what artists call a "study"--a thing to make a finished picture from. This sketch has several blemishes in it; for instance, the wagon is not traveling as fast as the horse is. This is wrong. Again, the person trying to get out of the way is too small; he is out of perspective, as we say. The two upper lines are not the horse's back, they are the reigns; there seems to be a wheel missing-- this would be corrected in a finished Work, of course. This thing flying out behind is not a flag, it is a curtain. That other thing up there is the sun, but I didn't get enough distance on it. I do not remember, now, what that thing is that is in front of the man who is running, but I think it is a haystack or a woman. This study was exhibited in the Paris Salon of 1879, but did not take any medal; they do not give medals for studies. [Figure 3]

We discharged the carriage at the bridge. The river was full of logs--long, slender, barkless pine logs--and we leaned on the rails of the bridge, and watched the men put them together into rafts. These rafts were of a shape and construction to suit the crookedness and extreme narrowness of the Neckar. They were from fifty to one hundred yards long, and they gradually tapered from a nine-log breadth at their sterns, to a three-log breadth at their bow-ends. The main part of the steering is done at the bow, with a pole; the three-log breadth there furnishes room for only the steersman, for these little logs are not larger around than an average young lady's waist. The connections of the several sections of the raft are slack and pliant, so that the raft may be readily bent into any sort of curve required by the shape of the river.

Mark Twain
Classic Literature Library

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